
NOW, I know what you’re going to say. “Not another sodding graveyard!”
But before you pass judgment, please consider that today’s necropolis at Bunhill Fields is an entirely different kettle of corpses from the spooky Hawksmoor graveyards we have visited thus far.
Whereas Hawksmoor’s Christ Church Spitalfields and St-George-in-the-East were the final resting places of Anglican worthies from the 17th century on, the Bun hosts the remains of the literary punk rockers of their age – John Bunyan, Daniel Defoe, William Blake.
In any case, while everyone else flocks to the nearest patch of grass as the lockdown eases, London’s graveyards remain relatively empty. You can socially distance on the benches at Bunhill Fields while swapping gossip, fags and a bottle of wine. This is guidance, not an instruction.
I have a particular affinity with this graveyard, just north of the City boundary, because it was just next door in City Road that in 1986 we launched The Independent, the last glorious gasp of broadsheet journalism before the present informational darkness fell.
Before the paper launched, we all trooped down to have our picture taken next to Defoe’s tomb. The 17th-18th century writer, journalist, Robinson Crusoe author and spy was the avatar of our forthcoming endeavour.
The bunch of post-Fleet Street misfits who flocked to the new and as yet unproven title liked to think they were in the mould of the non-conformists buried at Bunhill Fields.
The paper was a startling success, based on the formula of finding out what had happened, when, where and to whom – even why if you were lucky – and printing it in the paper.
Sadly, the world is now further from that era than we, at the time, were from Defoe’s.
Truth is now a malleable concept to be moulded according to the interests of those who control the narrative. So, who would want to be a journalist these days? Glued to your screen, chewing a lunchtime sandwich at your desk – lunchtime beers went out with the last millennium – only to be rewarded by the threats and opprobrium of the Twitterati?
It was never well-paid, and now it’s worse. You can earn four and five times the dosh in PR or as a consultant or, if you’re a complete failure at it, you can always get hired as prime minister.
Journalists are designated as key workers in the current coronavirus crisis. But, if they were waiting for applause on the doorstep every Thursday night, they will have been disappointed.
You may agree with those who argue that, in a time of crisis, the last thing we need is fact-checking obsessives disrupting the official narrative. As Boris Johnson has said, re: the Dominic Cummings’ furore, “Let’s move on.”
The Guardian and Mirror journalists who spent seven weeks meticulously assembling the evidence to show that Johnson’s top adviser was, indeed, a hypocritical twat, are right to feel aggrieved that many think the media, not the politicians, are the problem.
They must be thinking: “What’s the point?”
I feel their pain.
I had a connection with Bunhill Fields long before the era of The Independent. In the 60s, I worked as a packer-checker just across from the graveyard. The job was with a company that provided work for the disabled, assembling basic home electronic components – switches, plugs, valves.
My job, alongside a wandering American, Tom, was to unpack each consignment and check one-in-ten components to ensure they met specifications, then seal them up and send them on.
Weeks went by until the day I unwrapped a box of plugs to discover that the one I selected had the connecting wires misplaced.
“Tom! Tom! Look at this!”
“Eureka! Show it to Flo’,” he said.
We carefully carried the offending plug to the forewoman. She poked, she peered, she turned and twisted it. “Find any more like this?” she asked. “Not yet!” say I.
“Stick it back in the box, darling, and seal it up. No one’ll ever know.”
It was the day I learned, thanks to Flo’, that work, as opposed to play, is invariably completely pointless.